Mark Simonson:
Just by coincidence, I discovered a copy of U&lc magazine in the graphics classroom. U&lc was published by ITC, the International Typeface Corporation, a typeface publisher, and the designer and editor was the legendary Herb Lubalin. I’d never seen such beautiful typography and design. It was a motherlode for an aspiring typophile like me. [...]
I decided right then that someday, somehow, I wanted to design typefaces.
Adamya Sharma, reporting for Android Authority:
When Google execs previously said sideloading would become a high-friction process on Android, they really weren’t kidding. The company is finally sharing what Android’s new sideloading flow will look like in practice, and if you’re someone who installs apps outside the Play Store, you’re going to feel it immediately, and you’re going to feel it deeply. [...]
When Android’s new sideloading rules come into force, installing apps from developers without Google verification (more on that later) will become extremely tedious by design and require a 24-hour lock before users can install them.
“Open always wins”, baby.
Would be interesting to hear Tim Sweeney’s thoughts on this, but he took a sack of cash in exchange for agreeing that whatever Google does with Android hence is “procompetitive” until 2032.
- Music:The National, "Don't Swallow the Cap"
One of the most controversial opinions I’ve long espoused, and believe today more than ever, is that it was a terrible mistake for web browsers to support JavaScript. Not that they should have picked a different language, but that they supported scripting at all. That decision turned web pages — which were originally intended as documents — into embedded computer programs.
There would be no 49 MB web pages without scripting. There would be no surveillance tracking industrial complex. The text on a page is visible. The images and video embedded on a page are visible. You see them. JavaScript is invisible. That makes it seem OK to do things that are not OK at all.
In my piece riffing on Bose’s “The 49MB Web Page” yesterday, I reiterated my also-longstanding argument that publications with print editions do things with their websites that they’d never in a million years do with their print editions. The way The New York Times uses JavaScript to present popovers that obstruct reading the actual article text would be the equivalent of them gluing pages together in the print edition, using tape labeled with an advertisement. They wouldn’t do that. But they do the equivalent, using JavaScript, on every page of their website.
Here’s a simple AppleScript I wrote this week — one that solves a minor itch I’ve had for, jeez, 20 years. Almost every item I post to Daring Fireball goes through MarsEdit, the excellent Mac blogging client from Red Sweater Software (my friend Daniel Jalkut). MarsEdit has a built-in “local drafts” feature, where you can save unpublished drafts within a library in MarsEdit itself. It doesn’t happen often but I occasionally wind up with partially written posts that I don’t publish, but don’t want to throw away. But I don’t really want to keep them in MarsEdit. I want them saved as text files. For me, those text files go in a folder in Dropbox. For someone else, maybe they go in iCloud Drive.
I write my longer posts in BBEdit, and then copy them into a MarsEdit document when they’re ready to publish. My shorter posts — which is most of them — are usually entirely composed in MarsEdit. Any abandoned drafts that I might return to, I probably want to compose in BBEdit, because the reason they’re abandoned is that they need to be longer. Or they need to be shorter. But either way they need more thought, and BBEdit is where I go to do my most concentrated thinking.
MarsEdit doesn’t have a built-in way to save a document window as a text file. Just its built-in “Save as Local Draft” feature. I didn’t merely suspect but knew that it’d be relatively easy to write an AppleScript to add a “Save as Text File…” feature to MarsEdit, which I could invoke within MarsEdit from FastScripts, the system-wide scripts menu utility that is also from Red Sweater/Jalkut, and, using FastScripts, I could even give the script the standard keyboard shortcut Option-Command-S. (Or is it Command-Option-S?)
It’ll take a window like this:
and then prompt you with a system Save dialog to enter a filename (defaulting to the Title field contents, if any, in the MarsEdit document) and location to save the text file. AppleScript even conveniently remembers the last place you saved a file, so it defaults to the same folder the next time you invoke it, without the script doing any work to remember that. The text file looks like this:
Title: AppleScript: 'Save MarsEdit Document to Text File'
Blog: ★ Daring Fireball
Edited: Thursday 19 March 2026 at 12:16:29 pm
Tags: AppleScript, MarsEdit
Slug: AppleScript: 'Save MarsEdit Document to Text File'
Excerpt:
---
[Here's a simple AppleScript I wrote this week][s] -- one that
solves a minor itch I've had for, jeez, 20 years. Almost every
item I post to Daring Fireball goes through [MarsEdit], the
excellent Mac blogging client from Red Sweater Software (my
friend [Daniel Jalkut]). ...
That’s it. If you use MarsEdit, maybe it’ll help you. I picked the document fields in MarsEdit that I use (Title, Tags, Excerpt, etc.). One potential point of confusion is that while MarsEdit has an optional document field named “Slug”, I don’t use it. For historical reasons, I use Movable Type’s “Keyword” field for the words I want to use for the URL slug for each post. So in my text files, where it says “Slug:”, the text after that label comes from MarsEdit’s Keywords field. And I keep MarsEdit’s actual Slug field hidden, because I don’t use a field with that name in Movable Type. Your mileage, as ever, may vary. But this makes total sense to me.
Anyway, this script helped me clean up 29 drafts, some of them years old, that had been sitting around in MarsEdit, bugging me. Now my “Local Drafts” library in MarsEdit is empty, and those drafts are safe and sound in text files in Dropbox. When something in your workflow is bugging you, you should figure out a way to address it. Why I didn’t write (and share) this script years ago is a mystery for the ages.
( lots more rambling about garden, dancing, and stuff )
Costume night at rehearsal this evening. I have accumulated a number of witchy outfit-adjacent items, it will be a matter of figuring out how they fit together. But at least I won't have to go on stage naked, even though that would probably be more authentic than anything else.
- 1. Tech hobbyist makes shoulder-mounted guided missile prototype with $96 in parts and a 3D printer
- (tags:weaponry technology 3dprinting )
- 2. Kagi Translate's AI answers the question "What would horny Margaret Thatcher say?"
- (tags:language translation margaretthatcher wtf )
- 3. Ever wanted to be able to translate from English to LinkedIn? Now you can!
- (tags:language funny translation viaswampers )
- 4. Grok, explain Butlerian Jihad [ai]
- (tags:funny scifi )
- 5. Austin build new housing - rents came down
- (tags:economics housing usa )
( thinky thoughts )
I'm typing on my new Asus laptop. I call her RageAgainst, and she is locked down, baby. AI is globally shut down, no Microsoft Office, Duck Duck Go and Firefox loaded with Ad Nauseum and Privacy Badger, no FB (I deleted my account in Jan. 2025) or Instagram, no Adobe. It's beautiful. I may allow iTunes but I'm trying Waveform first. Not sure I love how it organizes album tracks; it's fragmented. Also iTunes is the only way to buy singles. I'm not opposed at all to physical CDs, and I have an external drive. But sometimes you just want one song.
I'm slowly moving all the files and bookmarks over from the previous laptop. It's always nice to set up a new computer, but it's taking a bit more mental energy what with... everything. To relax I've been watching streaming surf cam from all over the world on YouTube. Hawaii, New Zealand, Australia,and Japan have surfers catching waves right now, and it's pleasant to watch the waves roll in and know that there is so much beauty still in the world.
Shubham Bose, “The 49MB Web Page”:
I went to the New York Times to glimpse at four headlines and was greeted with 422 network requests and 49 megabytes of data. It took two minutes before the page settled. And then you wonder why every sane tech person has an adblocker installed on systems of all their loved ones.
It is the same story across top publishers today.
This is an absolutely devastating deconstruction of the current web landscape. I implore you to pause here, and read Bose’s entire amply illustrated essay. I’ll wait.
Even websites from publishers who care about quality are doing things on the web that they would never do with their print editions. Bose starts with The New York Times, but also mentions The Guardian, whose web pages are so laden with ads and modals that their default layout, on a mobile device, sometimes leaves just 11 percent of the screen for article content. That’s four lines of article text.
Bose writes:
Viewability and time-on-page are very important metrics these days. Every hostile UX decision originates from this single fact. The longer you’re trapped on the page, the higher the CPM the publisher can charge. Your frustration is the product. No wonder engineers and designers make every UX decision that optimizes for that. And you, the reader, are forced to interact, wait, click, scroll multiple times because of this optimization. Not only is it a step in the wrong direction, it is adversarial by design.
The reader is not respected enough by the software. The publisher is held hostage by incentives from an auction system that not only encourages but also rewards dark patterns.
I disagree only insofar as the reader isn’t respected at all. Part of my ongoing testing of the MacBook Neo is that I’ve been using it in as default a state as possible, only changing default settings, and only adding third-party software, as necessary. So I’ve been browsing the web without content-blocking extensions on the Neo. It’s been a while since I’ve done that for an extended period of time. Most of the advertising-bearing websites I read have gotten so bad that it’s almost beyond parody.
And even with content blockers installed (of late, I’ve been using and enjoying uBlock Origin Lite in Safari), many of these news websites intersperse bullshit like requests to subscribe to their newsletters, or links to other articles on their site — often totally unrelated to the one you’re trying to read — every few paragraphs. And the fucking autoplay videos, jesus. You read two paragraphs and there’s a box that interrupts you. You read another two paragraphs and there’s another interruption. All the way until the end of the article. We’re visiting their website to read a fucking article. If we wanted to watch videos, we’d be on YouTube. It’s like going to a restaurant, ordering a cheeseburger, and they send a marching band to your table to play trumpets right in your ear and squirt you with a water pistol while trying to sell you towels.
No print publication on the planet does this. The print editions of the very same publications — The New York Times, The Guardian, The Wall Street Journal, The Atlantic, The New Yorker — don’t do anything like this. The print edition of The New Yorker could not possibly be more respectful of both the reader’s attention and the sanctity of the prose they publish. But read an article on their website and you get autoplaying videos interspersed between random paragraphs. And the videos have nothing to do with the article you’re reading. I mean, we should be so lucky if every website were as respectfully designed as The New Yorker’s, but even their website — comparatively speaking, one of the “good ones” — shows only a fraction of the respect for the reader that their print edition does.
Without an ad-blocking content blocker running, one of the most crazy-making design patterns today is repeating the exact same ad within the same article, every few paragraphs. It’s hard to find a single article on Apple News — a sort of ersatz pidgin version of the web — that does not do this. The exact same ad — 6, 7, 8 times within the same article. How many 30-something blonde white women need hearing aids? It’s insane.
People are spending less and less time on the web because websites are becoming worse and worse experiences, but the publishers of websites are almost literally trying to dig their way out of that hole by adding more and more of the reader-hostile shit that is driving people away. The Guardian screenshot Bose captured, where only 11 percent of the entire screen shows text from the article, is the equivalent of a broadcast TV channel that only showed 7 minutes of actual TV content per hour, devoting the other 53 minutes to paid commercials and promotions for other shows on the same channel. Almost no one would watch such a channel. But somehow this strategy is deemed sustainable for websites.
The web is the only medium the world has ever seen where its highest-profile decision makers are people who despise the medium and are trying to drive people away from it. As Bose notes, “A lot of websites actively interfere the reader from accessing them by pestering them with their ‘apps’ these days. I don’t know where this fascination with getting everyone to download your app comes from.” It comes from people who literally do not understand, and do not enjoy, the web, but yet find themselves running large websites.
The people making these decisions for these websites are like ocean liner captains who are trying to hit icebergs.
Special guest David Pogue discusses his excellent and amazingly comprehensive new book, Apple: The First 50 Years.
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This support page is a fascinating footnote regarding the recent changes Apple has made to their U.S. key cap labels.
Who do you turn to when you’re Christie’s and you want to commission the finest rostrum the world has ever seen? Who else but Jony Ive and LoveFrom. I mean, I’d love to snark about this, but goddamnit, that’s a lovely piece of furniture.
David Heaney, writing for UploadVR:
Meta Horizon Worlds is dropping VR support in June, meaning it will only be available as a flatscreen experience for the web and smartphones.
By March 31, Meta says the Horizon Worlds app will be delisted from Quest’s store, and key first-party worlds such as Horizon Central, Events Arena, Kaiju, and Bobber Bay will no longer be accessible in VR. Then, from June 15, the Horizon Worlds app will be removed from Quest headsets, and all worlds will no longer be accessible in VR.
Yours truly, three months ago: “Meta Says Fuck That Metaverse Shit”.
Jake Conley, reporting for Yahoo Finance:
If the deal closes, Zaslav will receive $517.2 million in equity that would trigger if and when the sale goes through, along with roughly $34.2 million in cash and $44.2 million in benefits tied to the value of health coverage reimbursement. The Warner Bros. CEO will also get roughly $335.4 million in tax reimbursements. **
Just before the end of February, Warner Bros. agreed to a full acquisition by Paramount Skydance at $31 per share in a deal valued at about $110 billion.
The cash and equity are outrageous enough, but what in the everlasting fuck is “$44.2 million in benefits tied to the value of health coverage reimbursement”? They might as well pay Zaslav an extra $40 million for reticulating splines while they’re at it.
[Update: Variety reports that Zaslav is getting $44,195 in “continued health coverage reimbursement benefits”, which suggests that Conley at Yahoo incorrectly assumed a couple of extra zeroes on the health coverage number. Which would be a reasonable mistake to make — who but a total asshole would give a shit about $44,000 in insurance benefits as part of a $550 million heist? Assuming that was a mistake, Conley’s error wasn’t assuming the extra zeroes, it was forgetting that Zaslav is, quite obviously, a total asshole.]
The man redesigned the HBO logo five times, the company lost 50% of its value, and he made $887 million. We might be looking at the greatest businessman to ever exist.
The greatest something, for sure. I wouldn’t use the word “businessman”.
What I read
Finished Victoria's Secret - still slightly meh about it - could possibly have engaged a bit with a longer history of 'Monarch has favourite/s who are not Quite Our Sort', even if historically the gender issues in play here were different??? Also had a bit of feeling that QV was not entirely NOT treating John Brown in the light of A Very Large Faithful Dog devoted to her to which she was also devoted and which she insisted on imposing upon people who hated dogs.... Thought it was good on her awful childhood, though.
Clare Pollard, The Modern Fairies (2024) - telling stories about women telling stories, i.e. the precieuses at the time of Louis XIV, the stories they were telling and their stories and how those reflected one another.
Susan Ertz, Woman Alive (1935), my attention having been drawn towards it by a mention of its having been republished. I have a copy of the first edition, Ertz being one of the early C20th middlebrow women novelists in whom I have had an interest going back decades, but not sure whether I ever actually read this. It is sf Of The Period, in which someone is cast forward into The Future by sciento-psychic means, this is his account. And okay, is not (unlike a cluster from around the same time) about the dystopic crushing iron heel of fascistic misogyny, is about the dysoptic outcome of a war in which germ warfare has killed all the women. Except one who has survived courtesy of mad scientist neighbour's experimental process.
Points for her being a young women of education, character, and something of a backstory conveying a certain cynicism, but she still concedes to the agenda of marrying and going forth and having babbyz, though I think everyone is a bit optimistic that she will pop out multiple daughters and even so, we do not think this will Save Humanity. (Also, no-one seems to suggest she should have Plurality of Mates, surely that would be advisable?) But then it just stops with our narrator pinging back to his present day.
Most recent Literary Review
Muriel Spark, A Far Cry from Kensington (1988), which I really enjoyed and am now looking out for more of hers - think I have copies of some somewhere?
Robert Barnard, Death of a Literary Widow (1979)- everybody in it is a bit of a caricature, not just the American academic.
Emily Tesh, The Incandescent (2025), because I have been hearing well of it. Pretty good, but is it just having Read A Lot that made one character look like a honking parade of red flags?
On the go
I think I am actually giving up on I Am A Woman, I don't think Being A Sad Lesbian is enough to provide a rounded character? Maybe it gets better?
Nibbling at various things. Realise that it is 2 weeks to next Pilgrimage discussion and I do not want to read Honeycomb too far in advance.
Up next
No idea.
In mid-February I got fed up of all the half-read things in my ebook reader, so I went through and tagged a bunch of them - things I wanted to read, things I meant to get around to, etc - in a special collection, and then said "OK now you can only read things from this collection". I started out with 25 books, but added a few more either because a) they were new Dick Francis books that I wanted to read (2 books), or b) they were for a book group meeting that I had suddenly realised was approaching (2 books). Since then I have read only one ebook not in that collection (another book group! but a chapter-by-chapter one, so I don't want to read the whole thing yet), one paper book (oh look for a different book group), and a few chapters of other paper books, and the collection is down to 12.
It's actually been tremendously productive as an approach ( rambling about my reading habits )
In conclusion, it's been great for my reading but terrible for my booklog, which is sadly behind even though I've been working on it reasonably regularly.
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