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can you tell I had pizza for breakfast AND dinner yesterday?
Dean and Sam are trying to find Bela by taking stock of all their reference books (dictionaries, thesauruses, encyclopedias, grimoires) and driving all over the country. They drive to a lot of different towns for a long time, not stopping, and Dean talks to himself and keeps getting distracted by his reflection while Sam dozes in the passenger seat.
Eventually Dean notices this diner that's still open (it's very late at night), and realises he's hungry. He stops the car and Sam wakes up. While Dean's looking out the window and pondering on whether to go in or not, Sam gracefully vaults himself out of the car's skylight, crouches on the roof of the car briefly, then lands lightly on the pavement in his puma sneakers without Dean even noticing.
Sam goes into the diner. He's hungry, he sits down. There are a few other people around, still eating, but he's not sure if they're still serving, though he can see waitresses around and a chef in the kitchen. He tries to ask a waitress, an older woman, but she goes into this big spiel about people she's served in the past (eg. "there was a young boy, he was very sick. I dug out and brought him a soup, pale pink. It was fish." etc). While she's talking, the chef brings out a bowl of soup (no, not light pink; chunky vegetable) and Sam ravenously digs in. The chef glances outside and sees the car. The chef and the waitress are still watching Sam. The waitress seems to expect something of him. She wants Sam to touch her face.
I'm watching this episode, and it suddenly goes into flashback. I'm very pleased by this. John is in the diner, towards the back of it, crouching on the floor to speak to his young sons face-on. The chef and the waitress at the diner are his parents, Dean & Sam's grandparents. John convinces the boys of this by getting them to run their hands over his face (prickly beard close-up) and feel the similarities in the bone structure.
Flashback a little earlier: John is on the run from the law, needs a place where the boys will be safe. His parents' diner is a last resort. The boys switch cars a few times, Bobby is helping them. When John turns up with the boys and the diner, the grills are locked, so he bangs on them til his father comes out, sees them, lets them in.
There's urgency because John is about to shed his skin, reptile-like. He's writhing around on the floor while Sam and Dean's grandmother shelters them, and they watch on. For a moment John has nine reptilian faces, then the tough snake skin comes off. Sam's worried about what's beneath, if John will have more skin to protect him from the world outside hurting.
I think this is the BEST EPISODE EVER and am very disappointed when I realise it's a dream during my wake-up limbo.
I also had a dream where I was asked at the last minute to drum for this band in their first show. I'd never even heard their music before, but I did pretty damn good. Then the manager wanted this old boy friend of his to do it instead, and I was outraged.
Eventually Dean notices this diner that's still open (it's very late at night), and realises he's hungry. He stops the car and Sam wakes up. While Dean's looking out the window and pondering on whether to go in or not, Sam gracefully vaults himself out of the car's skylight, crouches on the roof of the car briefly, then lands lightly on the pavement in his puma sneakers without Dean even noticing.
Sam goes into the diner. He's hungry, he sits down. There are a few other people around, still eating, but he's not sure if they're still serving, though he can see waitresses around and a chef in the kitchen. He tries to ask a waitress, an older woman, but she goes into this big spiel about people she's served in the past (eg. "there was a young boy, he was very sick. I dug out and brought him a soup, pale pink. It was fish." etc). While she's talking, the chef brings out a bowl of soup (no, not light pink; chunky vegetable) and Sam ravenously digs in. The chef glances outside and sees the car. The chef and the waitress are still watching Sam. The waitress seems to expect something of him. She wants Sam to touch her face.
I'm watching this episode, and it suddenly goes into flashback. I'm very pleased by this. John is in the diner, towards the back of it, crouching on the floor to speak to his young sons face-on. The chef and the waitress at the diner are his parents, Dean & Sam's grandparents. John convinces the boys of this by getting them to run their hands over his face (prickly beard close-up) and feel the similarities in the bone structure.
Flashback a little earlier: John is on the run from the law, needs a place where the boys will be safe. His parents' diner is a last resort. The boys switch cars a few times, Bobby is helping them. When John turns up with the boys and the diner, the grills are locked, so he bangs on them til his father comes out, sees them, lets them in.
There's urgency because John is about to shed his skin, reptile-like. He's writhing around on the floor while Sam and Dean's grandmother shelters them, and they watch on. For a moment John has nine reptilian faces, then the tough snake skin comes off. Sam's worried about what's beneath, if John will have more skin to protect him from the world outside hurting.
I think this is the BEST EPISODE EVER and am very disappointed when I realise it's a dream during my wake-up limbo.
I also had a dream where I was asked at the last minute to drum for this band in their first show. I'd never even heard their music before, but I did pretty damn good. Then the manager wanted this old boy friend of his to do it instead, and I was outraged.
no subject
it is without a doubt the BEST EPISODE THIS SEASON.
I heart your brain.
no subject
Hah! Yeah, that was more my dream-thought process. After all the bitches and whores and whatnot I was overcome with glee. So sad to wake up!