Pretty interesting, innit? I must say I prefer our boys to those ones, though. Someone needs to write an AU. or fanfiction for that draft. or a story where our DeanandSam meet draft!DeanandSam. like, from a parallel universe or something.
... the house? the Winchesters had a house? and the strange buttons on the Impala's dashboard? John is Jack, and Dean acts out of character when he talks about moving on to look for their Da without solving the case first and Sam has an iron rod up his ass even more so than in the aired pilot.
I like our boys more, too. There's not one moment in there I regret losing for the aired pilot.
But the "coming for you" message? ... whoa. *shivers* does it mean Celine Demon's going to take Sam away? and... change him forever?
funnily enough, that reminds me that Dademon said "you, and all the children like you, Sammy" - oh, Dademon, Sammy's all grown up now.
I thought the 'coming for you' thing was SO LAME. liek.
And I know. Dean was more like Sam (not giving a shit about the people, just about finding Dad) and Sam more like Dean (still being a hunter, no matter what, even at college). It's like they both were a bit less themselves in that script... which, i know, of course is the case - but it's like, the things that really define them are pretty absent there.
Plus all the weird stuff with Sam & Jess not being all that serious, and Dad only being missing for a week, and Dean not carrying Sam out of the fire, and yeah, having a house and Sam already being at college and only fighting about law school...
well, the "coming for you" was definitely lame - I just meant it was awesome in how it might reveal a bit of what Celine Demon had in store for Sam, or what it wanted. There isn't much we know, and this might be a tiny hint. It looks like the CD story wasn't changed at all - see Mary saying "...get away from him..." I mean, we heard that one in the aired pilot, but, man... it SOUNDED as if she knew Celine Demon, or at least knew that Sam was special.
er, sorry for my rude "OMG LAME!" -ness above, 'lame' is my new favourite word and I apply it to everything. *hides*
I just meant it was awesome in how it might reveal a bit of what Celine Demon had in store for Sam, or what it wanted.
I think it's interesting from the finding-out-more point of view, but I was thinking about this, and... I really love the way they've done it in the show. Like, it's not about them - it's about this bigger-than-everything force of evil that they are trying to nip at the ankles of... but when it comes down to it, they're just pawns in the master plan. i think it's in the show's plot arc that it diverts away from that victim-egotistical model where the evil is just some gibbering thing out to get you. Celine Demon here is something much, much bigger that has happened to catch the Winchesters in its it. It's unfortunate for it that they *are* Winchesters, but it's not *because* they're Winchesters that this happened in the first place, yeah?
I am fascinated by Mary, though... all the references in John's diary to how many journals she kept, it feels like that's something they want to bring up later... a way of getting Mary in on the plot, post-mortem? who knows.
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... the house? the Winchesters had a house? and the strange buttons on the Impala's dashboard? John is Jack, and Dean acts out of character when he talks about moving on to look for their Da without solving the case first and Sam has an iron rod up his ass even more so than in the aired pilot.
I like our boys more, too. There's not one moment in there I regret losing for the aired pilot.
But the "coming for you" message? ... whoa. *shivers* does it mean Celine Demon's going to take Sam away? and... change him forever?
funnily enough, that reminds me that Dademon said "you, and all the children like you, Sammy" - oh, Dademon, Sammy's all grown up now.
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And I know. Dean was more like Sam (not giving a shit about the people, just about finding Dad) and Sam more like Dean (still being a hunter, no matter what, even at college). It's like they both were a bit less themselves in that script... which, i know, of course is the case - but it's like, the things that really define them are pretty absent there.
Plus all the weird stuff with Sam & Jess not being all that serious, and Dad only being missing for a week, and Dean not carrying Sam out of the fire, and yeah, having a house and Sam already being at college and only fighting about law school...
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I just meant it was awesome in how it might reveal a bit of what Celine Demon had in store for Sam, or what it wanted.
I think it's interesting from the finding-out-more point of view, but I was thinking about this, and... I really love the way they've done it in the show. Like, it's not about them - it's about this bigger-than-everything force of evil that they are trying to nip at the ankles of... but when it comes down to it, they're just pawns in the master plan. i think it's in the show's plot arc that it diverts away from that victim-egotistical model where the evil is just some gibbering thing out to get you. Celine Demon here is something much, much bigger that has happened to catch the Winchesters in its it. It's unfortunate for it that they *are* Winchesters, but it's not *because* they're Winchesters that this happened in the first place, yeah?
I am fascinated by Mary, though... all the references in John's diary to how many journals she kept, it feels like that's something they want to bring up later... a way of getting Mary in on the plot, post-mortem? who knows.